Kerala Literature Festival: A book-fiend’s manna
Reading is a solitary pursuit. It thrives in seclusion. For decades, books have filled my solitude with boundless joys as I sought both - books and solitude - with a perseverance an addict reserves for his fix. Ironically, this lonely indulgence also seeks like-minded people to share the pleasures of the written word, to hear contrary opinions, to be told subtle interpretations that escaped one, and to learn about the books one has not come across. Alas, such company is difficult to come by. This utter deprivation is often suffocating.
Literature festivals have become
popular in India for some years now. A decade ago, one heard only of the Jaipur
Literature Festival, and that too sporadically. Now, there is one in almost
every state. Come winter and there is a buzz among book-lovers, which I witness
on the media, as one city after another announces its show. These gatherings
seemed the right recipe to stimulate, nurture, and sate my craving for the
book-talk that I sought in vain, around the year.
I and Archana attended Kerala
Literature Festival, KLF, held in Kozhikode over four days, last month. What do
you do in a literature festival? Are you going there looking for new books? My
young Keralite friend, whom I enquired about the city, was perplexed. I too
was. What will the hundreds of speakers listed on KLF website discuss in the
hundreds of sessions? My friend sent me an alluring introduction to this
ancient city, more popular by its old name Calicut. If not literature, history
of the city perched on the Malabar coast of India, and its unique food-culture, a mix
of Indo-Arabic-Western traditions, promised to occupy me happily.
KLF engaged me so completely
every day that I saw the city only from the window of our sixth-floor
hotel-room and through the auto-rickshaw, as I travelled to the venue of the
festival every day.
Ola, Uber were almost
non-existent in Kozhikode. Saar, we will get an auto, please, you wait in the
lobby. Concierge said, when I queried him about taxi in the morning. This
became a routine. We ate breakfast leisurely, repeatedly flying to the large
spread of dishes, and always ending up with a glass or two of excellent
filtered-coffee or masala-tea. As we exited the dining room, hotel guard would
message his colleague standing at the entrance of the hotel near the road, and
a Piaggio tuk-tuk would arrive in few minutes. City roads were narrow, crowded,
and noisy. Cacophony on roads was alike traffic in other cities of the country.
KLF is held on the coast of
Arabian sea in Kozhikode – designated as India’s first UNESCO City of
Literature. Marquees were set along five hundred metres of beach. Ten venues,
with events being held simultaneously in each, more than four hundred sessions,
six hundred speakers, and to top this, footfall of half a million fans –
undoubtedly, Calicut is a City of Literature.
Narrow pathway leading to the
pavilions was chock-a-bloc packed with people throughout the day as they
hurried from one session to another. Majority was young. Keralites’ love of
books and the world of ideas showed in this enthusiasm. Talks were in English
and Malayalam. Later invited maximum audience. But I did not witness thin
crowds in any. Enthusiasts spilled outside the shamianas, standing in many
rows, in the shows of popular speakers.
I and Archana marked the sessions
we wanted to attend in the app. Many of these were happening simultaneously. We
pruned the list, retaining the ones we would not miss at any cost. And then
rushed to the first venue of the day to grab a chair in the first row. This
cycle repeated relentlessly the whole day, for four days. At times, next venue
was located at the extreme end, a walk of five hundred metres through thick
crowds going in both directions. We then left the current session before it
ended. At the new venue, overflowing with audience, we sat on carpets spread
below the dais, and on occasions listened to the animated discussions being
conducted in Malayalam. We grabbed the coveted chairs as soon as some of the
old audience left for another talk. Soon, we became adept at this skullduggery,
and never did we suffer the ignominy of a back-row seat where speakers on the
dais are seen only in fractions – above or between the audience in the front
rows. This incessant race, to attend maximum sessions, and from vantage seats,
left us tired at the end of the day. And ensured that we never found time for
lunch. We happily forsook it, settling for a cone of ice cream or a cup of
coffee gobbled hurriedly as we ran from one venue to another.
Discussions were on a wide range
of topics, almost the complete gamut of human culture: Storytelling, Poetry,
History, City planning, Geopolitics, Art of writing, Music, Literary classics,
Sports, Cinema, LGBTQ issues, Morality, Public personalities, Current affairs,
Diplomacy, Science, Environment, and many more.
Except for a stray speaker, I
found all had deep knowledge of their subjects, were wonderfully articulate,
and remained confined within the boundaries set by the topic of the day. There
were authors whose books I had read and admired, writers whose books languished
in my wish list, Pulitzer and Booker winners and nominees, and even Nobel
laureates. They were my heroes; their astonishing creativity had made them
larger than life in my thoughts. Initially, as I heard them speak and interact
with us in flesh, my hair stood on ends. Later, as I saw them repeatedly
in the crowd, as they sat by us waiting for their session to begin, I found
them humanized.
Festival could not have begun better. First event I attended was of Naseeruddin Shah, whose acting prowess I consider a paragon in his profession. This was followed by two more sessions by him the same day. First two featured verse recitals by him and his wife, the actor Ratna Pathak Shah. They read from Vikram Seth's recent collection of poems, Beastly Tales. In the last, Naseer was interviewed by the Malayalam actor Parvathy. I had read his memoir, And Then One Day, recently. He was as candid in conversation as he was forthright in the book.
Two archaeologists, a British and
an Indian, who have worked extensively on Harappa civilisation were in
conversation in the session titled ‘Harappa: 100 years later’, politely
debunking the myths that are being peddled as history by the ruling party. L Subramaniam,
the violin maestro, spoke of his childhood and his experiences working with
some of the world’s greatest musicians like Yehudi Menuhin, Zubin Mehta, and
how he popularised Carnatic music in the west. Pandit Hariprasad Chaurasia,
looking very old and fragile – that he is at 86, spoke with gusto about his
life and his work, haltingly but with humour and a twinkle in his eyes.
Topics were widely diverse. First
session next day was on Tanya Abraham's book, Eating with History. I had not heard of her or the book. But over
half an hour she took us on a riveting journey of how food in Kerala was
influenced by people of different races that landed on its coasts, over the
centuries. Santa Khurai in an interview, spoke of her memoir, The Yellow Sparrow, where she describes
the trauma of growing up as a transgender in Mizoram. Her candour was
disturbing and tormenting. Sriram Devatha, a young engineer, spoke engrossingly
on his book that chronicles the making of the world-famous brand of Indian
single malt whisky, Amrut.
I often wondered if such an exuberant literary fare could have been held in any other state? Subjects reflected true diversity of Indian society, also the egregious efforts of government to interpret all aspects of Indianness in a monochromatic hue, and subversion of all state institutions to serve in spreading its ideology. Perhaps in Kolkata and Bengaluru.
Rajdeep Sardesai was interviewed by the editor of scroll, Naresh Fernandes, in the context of his latest book, 2024: The Election That Surprised India. He was devastatingly forthright in his criticism of elected autocracy, that aptly describes our democracy today. A famous and acclaimed journalist for over three decades, he cited his interesting but disturbing conversations with politicians, to substantiate his contentions.
Mani Ratnam
and Actor Prakash, later a popular Malayali actor, and a vocal critic of
government, spoke about their journey in the filmdom. Could Mani Ratnam make
the type of movies he did in past, today? Asked the host. Yes, I can, but I am
not sure if they would be cleared by the censor board. Although Mani Ratnam gently
denied that cinema has a role to speak against the flagrant sociopolitical
wrongs in society, Prakash was emphatic that people connected with cinema, with
the fame and reverence they command among citizens, have an onerous duty to
raise their voice in such instances.
Do not miss Paragon’s chicken Thallasery biryani, come what may. My Keralite friend had warned me. We headed there one evening, after the last session. Thallasery cuisine is a blend of Indian Arabian, Persian, and European influences, reflecting Calicut's long history of being a popular maritime trading post. Biryani was excellent - mild flavours layered in fluffy small-grained rice with succulent pieces of chicken. Another evening, we dined at a restaurant in the bustling Mavoor street, where the Malabari chicken, cooked in a profusion of spices, was one of the best chicken-dish, I have eaten.
Festival was exceptionally well managed.
Organising this gigantic event would have been veritably a night-marish task.
But every aspect of the festival was immaculately planned. Comperes dovetailed
smoothly with the interviewees. Most were experts in the same field as the
guest. It appeared they had read the book and researched the work of the
personality they were talking to. Their questions were pertinent, concise, and gave
a holistic view of the subject of conversation. Except for one change of
programme, all talks I attended were held as per schedule. A
few minutes before the next scheduled show, organisers repeatedly requested the
host to end the show immediately. Four hundred events in four days were
run with staggering precision.
T.P. Sreenivasan, a former
diplomat, regaled us with humorous and irreverent rendition of his experience
in foreign services. He sounded like a natural story teller. I immediately
searched for his books on Amazon and placed Diplomacy Liberated, his
latest, in my wish list. I did this with many speakers. To learn about new
books was one of my objectives to come here. This was served well. My wish-list
gained a respectable girth in four days. Kerala has given country many officers
in IAS and IFS. In a session titled ‘A Diplomat vs A Spy’ I heard anecdotal
stories from Shivshankar Menon, past Foreign Secretary and National Security
Advisor, and A.S. Dulat, a former RAW secretary. Their books immediately
entered my wish-list. Udayan Mitra, executive publisher at Harper Collins, spurred
Thomas Mathew, official biographer of Ratan Tata, to narrate interesting
snippets from Ratan Tata’s life. Mathew’s narration, though hagiographic, was nevertheless
fascinating.
Festival starkly featured activities
related only to books: Marquees where sessions were held and a bookstore under
a huge awning, where one could buy books being deliberated upon. After their
sessions, writers came here to sign the copies bought by their fans. Paragon hotel
had setup a shamiana for food. There were a few kiosks selling ice-creams and
coffees. It was a spartan affair. Only books were being celebrated.
Evening session had two speakers, but for whom, I may not have come here. Venki Ramakrishnan, who won 2009 Nobel in Chemistry, for his lifelong work on ribosomes, spoke on his latest book Why We Die. Abraham Verghese steered the talk. Image of gentle, erudite, soft-spoken Venki, weighing every question carefully before replying in clear and concise words, a mild smile perpetually on his face, hovers in my mind as the icon of KLF. I had read his fabulous book a week back. I relished it immensely.
Beginning with India After Gandhi, I have read everything that Ramachandra Guha has written. I am in awe of his indomitable courage to speak his mind against a despotic regime, of his sharp intellect, his meticulously researched contemporary histories of India, and his elegant prose. He was interviewed about his latest book on environment, Speaking With Nature. But not to hear Ram Guha passionately espouse the cause of liberal democracy today is to listen to Modi talk about everything but, the harm congress has perpetrated on country. Considering anti-muslim stance of government today, isn’t it good that country was partitioned in 1947? An angry young man asked Guha. No, that is not the solution. If India ever became a Hindu-Pakistan, it would be the death of our nation – he replied.
In the hub-bub of running from one talk to another, I could not obtain author-signed copy of books I wanted. On the last day of the festival, I planned to redeem this deficiency, and reached the venue a little early. I bought some books of authors whose talk was scheduled that day. It was still early, and I ventured on to the beach. Kozhikode beach is very long, perhaps more than two kilometres. I tried to imagine it being beautiful, but came a cropper. Polythene bags, paper shreds, used glasses and plates littered the sand. A foul-smelling drain, with black and stagnant water, poured into the sea. Awnings of the festival raised an ugly background.
Infrastructure at the festival was
abysmally poor. It was terribly hot. Fans were meagre to none in most venues.
Only one small marquee was air-conditioned. More than hundred thousand visitors
came here every day. There was only one toilet complex. Eating arrangement too
was awfully insufficient and of poor quality. I see an apathetic government in these
deficiencies.
Last day was studded with some great sessions. Gautam Bhatia spoke on our constitution and how it has adapted to the changing face of our republic. Shashi Tharoor mesmerised audience as he spoke about his latest book, A Wonderland of Words. This is his metier and he delighted us by reading excellent excerpts from his book, talking about his childhood, and how his chronic illness forced him to find companionship in books.
Defne Suman, a Turkish writer, and Paul Lynch, 2023 Booker winner for his book Prophet Song, discussed the state of ‘Fiction Amidst Upheaval: The Politics and Prose of Turbulent Times’. Both painted a chilling yet alluring picture of the process of writing in a world that is becoming intolerant and fanatic by the day. Neerja Choudhary, the veteran journalist, narrated fascinating anecdotes from her illimitable treasury, some of which she has chronicled in her book, How Prime Ministers Decide.
There was another session with the sagely scholar, Venki Ramakrishnan. He conversed with Guy Leschziner, a Neurophysician, and author of the popular science book, Seven Deadly Sins. They discussed Venki’s previous book, The Gene Machine, that is a part memoir and part science of ribosomes. Venki painted a funny picture of professional envy and razor-sharp ambition among top scientists of the world.
Last session we attended was on a narrative history of Awadh kingdom by the charming writer Ira Mukhoty, The Lion and the Lily. Discussion was hosted by Manu S. Pillai, an acclaimed historian and writer, whose latest book is Gods, Guns, and Missionaries: The Making of the Modern Hindu Identity.
Our hotel, that had also hosted
many writers, bustled with people shuffling among their luggage as all visitors prepared to leave the city. Ira Mukhoty
was surprised that we travelled from Delhi only for the festival. Her acclaimed
book on Akbar has been in my wishlist for long. When I asked how she chose her
subjects, she said she was a science graduate, and not a trained historian and
got interested in history only a few years back. Isn’t change of stream at this
late age difficult? No, historical research is like the methodology of science. She was travelling to Jaipur for the JLF now.
I had been breathing books for
four days. Back at work, it felt a strange world. Heady book-talk, mixed with the breeze blowing across the Arabian sea, had oiled and aired the cogs and wheels of my mind. It has been only a few days, but
already the numbing monotony of daily living has begun to rust those hinges.
As always, very well written piece. I could actually smell the Arabian sea, feel the Kerala heat inside the venue & mesmerised by the great authors talking about their books.
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