The Human Factor : Graham Greene
The human of fiction You cannot separate literature from human condition. Skilful writers give words to the story that we call life. I cannot recall one great work of fiction that is divorced from life. Rather, the more elaborate the association, richer is the story. Spy fiction, a genre of literature, has espionage as its major context, around which is woven the plot. It came of age in early twentieth century – an era of major conflicts among foremost world-powers. Espionage, the machinations of state-craft in international relations, appears distant from the run-of-the-mill vicissitudes that make the life of a common man. Ian Fleming, who had worked in the British Secret Intelligence Service, MI6, was the most celebrated writer of this genre. James Bond, Fleming’s prodigiously popular protagonist, is farther from a real person, than Paneer Manchurian is from a Chinese dish. Fleming’s novels are as much about the life of their characters as mythology is about history. Realistic ...